unreleased press release for Fear @ take care. Los Angeles, 2020.
for Raphaela Melsohn, exhibition text for Uma casa feita de chão @ Marli Matsumoto. Sao Paolo, 2023.
5 minutes for Who Cares, delivered at CUE Art Foundation’s panel art@covid.edu. Online, 2022.
New Lease, press release for Judith Geichman, Diamond @ regards. Chicago, 2018.
The Four Horsemen, exhibition text for Michaela Murphy, Ilie Paul Capriel, and Anastasia Douka @ St. Sylvester Gymnasium. Chicago, 2014.
No Recess (for Gregory Bae), text written with friends for Gregory Bae: All Day, a memorial exhibition @ Julius Caesar. Chicago, 2022.
Emotional Preparedness for Sphinx, catalog essay for Carrie Schneider, Sphinx @ MassMoCA. 2023.
Painting Notes for the Chronic, interview with grupa ok for SFMoMA’s Open Space platform, 2016.
Notes on Antonia Gurkovska’s grid paintings. Chicago, 2012.
Statement for rectangles, ongoing
Statement, 2005.
Full text and audio recording of Nefertiti for the Blind available above under book
writing about my work
threefold press, This is What Genre Can Do For You by Molly Zuckerman-Hartung, 2023
erev-rav: Interview with Roni Aviv, 2021
Sixty Inches from Center: “Processing an archive of touch,” by Amanda Dee, 2019
Brooklyn Rail review by Ashton Cooper, 2016
Contemporary Art Daily, featured post, March 2016
New York Times review by Martha Schwendener, 2016
Chicago Artist Writers review by Nick Bastis, 2013
artforum: Criticʼs Pick review by Matt Morris, 2013
Bad at Sports: “The Year of the Scavenger.” Review by Lise Bagesson Ross, 2014
NewCity: “Eye Exam: Goodbye, Good Taste.” Essay by Jason Foumberg. 2012
Mousse Magazine, Issue #33. “On Art, Language, and Consecutive Matters,” by Julian Myers
NewCity: Visiting Artist column: Molly Zuckerman-Hartung, 2012
NewCity: “Eye Exam: A Thing and Its Other,” by Jason Foumberg,
Bad At Sports: Q+A with Claudine Ise.
artforum: Criticʼs Pick review by Claudine Ise, 2010
artforum: Criticʼs Pick review by Michelle Grabner, 2008
NewCity: Exhibition review of That House Is On Fire by David Wise, 2009
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